Southport : Original Sources in Exploration

Abydos, Part I 

W.E. Flinders Petrie


Chapter I-b (sections 7-11).


CHAPTER I (continued).
Objects from the Royal Tombs.

7. The Aegean pottery. Pl viii
8. The stone vases. Pls. ix, x
9. The labels, &c. Pls. xi, xii
10. The steles, &c. Pl.xiii
11. The Hints. Pis. xiv, xv .


















Plate 8: Aegean Pottery from Royal Tombs at Abydos (nos. 1-19).

Plate 9:  Stone vases from Royal Tombs at Abydos (nos. 1-15)

Plate 10:  Alabaster vases and cedar tray from Royal Tombs at Abydos (nos. 16-35)

Plate 11: Ivory and ebony labels from Royal Tombs at Abydos (nos. 1-11).

Plate 12: Marks on stone vases from Royal Tombs at Abydos (nos. 1-26).

Plate 13: Steles in Royal Tombs at Abydos  (nos. 147-171).

Plate 14: Worked Flints from Royal Tombs at Abydos.

Plate 15: Worked Flints from Royal Tombs at Abydos.





7. The Aegean pottery here figured, pl.8, 1—14, was found together in a single deposit in the tomb of Zer, as described in detail in Royal Tombs, ii, pp. 9, 46; the account already given should be referred to, and we need only here say that the date and the foreign origin of this group are beyond question. Some regular Egyptian forms, such as 9, 10, 13, 14, and the alabaster 11, were deposited with the foreign forms, and show by the contrast the wide difference between them. The painted pieces below are from the tombs of Den (T) and Mersekha (U); the zigzag line between parallels is a well-known later design, but not hitherto met with in this age.  (p.7)

 8. On plate 9 .are some outlines of stone vases, supplementary to those given in Royal Tombs, ii, pis. xlvi—liii. Fig.1 is a portion of a syenite cup of king Sma, the inscription of which is here shown in photograph on pl.iv. 2. The very curious rush tray carved in alabaster, fig.4, is here restored from fragments which were found scattered far apart. It is most like some of the remarkable slate carvings which have yet to be published, when the portions now hidden in Paris are available for science. The dolomite marble vases, figs.5, G, 7, 10, are those with gold caps, already published in photographs (B. T. ii, pl.ix, 2—TO). Figs.8, 9, were found with the copper bowls (It. 1\ ii, pl.ix, 13, 15). The diorite bowl, fig.13, is photographed in B. T. ii, pl.ix, 11; for the position see B. T. ii, p. 13, chamber 44. The bowls, figs.14, 15, are mentioned in position in B. T. ii, p. 12, chamber 16.  

On plate 10. is shown a small group found in the chamber Z 11, south of the tomb of king Zet. The zig-zag pattern, fig.16, is incised on a bird's leg-bone, which probably served to hold copper needles; the copper borer, 19, is quadrangular; the two flint scrapers should be compared with those from Z on pl.xiv. Fig.20 is a portion of a carved wooden tray, much weathered, but apparently of a close-grained conifer, probably cedar; the base is shown in the sketch, and part of the curved side. Fig.21 is from a broken cup of thin horn, found in the tomb of Mena. The rude vases of alabaster are selected to show the variety of forms among the great number found in the tomb of Khasekheniui; the depth of the hollow is shown by a dotted line; these were drawn by Mr. Weigall.  

 9. As it was impossible to draw all the engraved labels for the last volume, several are given here which were issued only in photographs last year. It will be clearest for reference to state the number on plate 11., the reference to the photograph, and the comparison with duplicate labels already published.

Pl. xi    Photographed        Compare
2         Ab. iv, 12            .  .   .    
3        .   .   .            R.T. i, 13,3    
4         R.T.ii, viiA 3        R.T.i,xiv,12
5            "    " 6         "    "    22
6            "    " 5        .   .    .
7            "    " 4        R.T.i,15,16
8            " vii,11        "    "  18
9            " viii,5        "   xvii,26
10            "    " 1        R.T. ii,xii,6
11            "    " 2        R.T. i,xvii,29
                        R.T. ii,xii,6

The duplicate fragments are of the greatest value in any attempt to read these inscriptions, as the variants in arrangement show in what order the signs are to be taken, and what are connected groups. In fig.11 here, the comparison of the reading with those named above, shows clearly that the sen sign of the royal name is to be taken in the sense of "breath", as in two cases it has the nose following it.

On plate 12 are various examples of incised marks on stone vases, which should be put on record. Those without references were found on fragments heaped together from various tombs in the French work. Fig.1 is photographed in R.T. ii, p. ii,7. Fig.15 is part of a nebui inscription. Fig.18 is probably the np ast as in R.T. ii, pl. VA, 6, 22-24. Fig.20, 21, 22 seem to be all variants of one, and probably the same as R.T. i, vii, 11; from these examples the reading must be se-ka.
10.

On plate 13 are some drawings of steles, which have not been published in photograph. Some of them are unusual, and need careful comparison with parallel names. On 151 there seems to be the name Da-Khuum "gift of Khuum", but wih a very strange form of base determinative, unlike any  vases (p.8) known of this age. On 148 it seems as if the double hill du was used as a variant for the triangle gift da, and it should read Hotep-du- Nt if, " Neit give peace." The painted inscription in red, 156, is uncommon. On 159 seems to be a hyaena. 168 is a fragment of a large royal stele, found in what is probably the tomb of Narmer; it is carved with relief in three different levels, indicated by different shading; the object appears to be part of a decorated facade (like that in Deshasheh, xxvi), and if so, the royal name was probably in the doorway below it, as on the inscription of king Ka. Unhappily no more was found; but, of coui"se, there may be other fragments in Paris quite unknown. The gold bar of Aha, 171, is here outlined in side view, and the markings on the ends also shown; the photograph of the ends has been already published in It. T. ii, pl.iiiA 7, and described on p. 21.  

11. On plates 14 and 15., the worked flints found in the royal tombs are arranged in their historical order. In the upper half of the'series the flakes and scrapers are placed, and below these are the knives and fragments. The names of the kings are placed at the top of each column, and the letters of the tombs and some details are written on the photographs. In no other country or age has such an admirable series been found for the study of variations in the types and the rate of variation. And this only adds one more to the bitter regrets that this collection consists of only the scraps left behind after the shameless plundering of these tombs by speculators, with the full assent of the Egyptian authorities.  

 At the top the small pointed flakes begin with Mena, and disappear under Merneit; the flakes under Den are rougher, and such continue to Perabsen. On the other hand, the square-ended flakes begin under Den, but develop strongly and distinctively during the Ilnd Dynasty. The round-ended flakes are finely worked with wide flat sides; beginning under Zer, they are poorer under Den, and merge into the square-ended flakes by the end of the 1st Dynasty.  
 The flat scrapers are not of well-marked types at first; a tailed scraper is seen under Merneit, and a rounded triangular one under Azab. The triangle is sharper under Mersekha, and by the time of Khasekhemui the triangular scraper, long or equilateral, is the commonest form of flint.  

 The knives begin with the deep back curve, as in that found in the Mena-tomb at Naqada (Die Morgan, Rech. ii, fig.769). The handle by the first large knife does not belong to that specimen, but is only placed to carry on the figure. The curve becomes less gradually, until it is almost straight backed under Khasekhemui. The surface working, which is far below that of the prehistoric flints even at first, becomes rougher on the later knives, and the body is left much thicker and coarser. One instance of a recurved tip occurs under Zet. The small knives, with two nicks for tying them on to the girdle, are only found under Zer, see foot of plate. The sharp toe to the handle is most marked in the first half of the dynasty, and fades away after that until it is almost lost under Khasekhemui. The must typical series of these varieties for comparison is in the Ashmolcan Museum, Oxford.
 



 



Footnotes:




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