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serving as Keeper of the Ashmolean Museum at Oxford (1884-1908),
Evans became interested in seals (tiny carved stones) from Crete which
contained undeciphered early inscriptions. In 1895 Evans
published Cretan Pictographs and
Prae-Phoenician Script, identifying both the
enigmatic Minoan hieroglyphs and the syllabic or
pre-alphabetic scripts, now called Linear A and B.
Evans
began large-scale, systematic excavations at Knossos in 1900, and by
the end of 1903 had uncovered many of the foundations of the large,
sprawling structures he designated as the Palace (now mainly identified
with the New Palace constructions of the Middle Minoan IIIb
period). Evans restored
many of the
now famous rooms within the palace, such as the Throne Room, with its
pair of griffins in a fresco flanking a gypsum stone seat. His
restoration methods have been often criticized for over-interpretation
of sometimes scanty remains. Numerous examples of
the now famous frescoes, discovered mainly as small fragments, were
also boldly restored. Evans published
his monumental work entitled The Palace of Minos at
Knossos in four volumes (1921-1935). In
his site interpretations (now much disputed), Evans
drew heavily from post-Bronze Age, ancient Greek mythology to postulate
the site as the palace of the legendary Minos, king of the Cretan Minoans
whose labyrinth contained the mythic Minotaur. Evans interpreted the
complex layout of the palace at Knossos as "labyrinthine," and
connected this with the double-axe symbol or labrys found engraved on
columns at the palace. Besides
his pioneering work in excavating the main palace site, among Evans'
most significant discoveries at Knossos was the recovery of about 3000
ancient Linear A and B writing tablets. Linear B eventually proved to
be an early form of ancient Greek from a later, Mycenaean occupation of
the site. Linear A, a script representing the language of the Minoans,
still remains largely undeciphered. [Source: "Sir Arthur Evans and the Excavation of the Palace at Knossos," Athena Review, v3 no.3, 2003] . |
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